Love / Faith / Hope (Paradies: Liebe Glaube Hoffnung)
Can photography have the same effect as film? What is the relationship between them when they deal with the same subject? How does it change when the first is the result of the latter? Must a spectator of a photo-story also see the film to understand its message or can the same message be delivered through the photograph, separated from the narrative? These are the key questions which Ulrich Seidl investigates by converting his trilogy of author films Paradise: love, Paradise: Faith, and Paradise: Hope into still images.
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